Art
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Conjunction

Unlike that lone first star of Christmas nightThis union burns expectedly above, But like that light, this, too, shines highest, brightAnd may still testify of searing love. Drawn closer by the work of innovation,Man captures and contains this far-off flare.How like and unlike the flame of incarnationThat, inverse, came to earth to draw us near. Continue reading
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A Blessing for Identity

May I never say I was once a singer,But only ever that I was and am. And may I never say I was a runner, But only that my racing just began. And may I never be a former writer,But know instead my story has no endThan that I may be now, always and ever, Continue reading
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Pride and Purgation

As I expressed in an earlier post, I have come to love Dante’s Commedia more and more through rereading. In a manner almost scriptural, he manages to address every aspect of human life and, as a poet-theologian, particularly the artistic life. My favourite of canticle is Purgatorio, which is perhaps a humorous choice for a Continue reading
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Theme and Variations

Not long ago (though it seems a lifetime), I wrote about modulations. The idea that the dissonance of post-college life would eventually resolve into normalcy was comforting; considering the modulations in music were consoling to me as I felt keenly the sudden transitions I experienced after four years of relatively little change. Several months later, Continue reading
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Up the Ladder, Down the Ladder: on artistic affection
“He now is struck with wonder by what’s wonderful in him. Unwittingly, he wants himself; he praises, but his praise is for himself; he is the seeker and the sought, the longed-for and the one who longs; he is the arsonist— and is the scorched.” – The Metamorphoses of Ovid In his Metamorphosis, Ovid paints perhaps Continue reading
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Preeminent Performance

In my “Redeeming Culture through Music” class, we were asked the following question: “Which is most important in music: the composer, the performer, or the listener?” The class more or less unanimously expressed that the three persons are equally important. After all, if there is no composer, there is nothing to perform and if there Continue reading
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Three Principles

As I was practicing piano the other day, I wrote a series of three questions to ask myself as I worked on each detail: Is it clean? Is it beautiful? Does it mean something? First, I work technically, listening even to exercises to discern if they are played with clarity and precision. Are they clean? Continue reading
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Method…Writing?

Method acting is a key point in my novel. One of the characters is an actor who has become “stuck” in the role that he last performed. He has lost himself into the character he was contracted to play. There are obviously a MANY problems that arise from this (many dark moments for this poor Continue reading
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Poll: Best Part of Movies are Concessions

PHOENIX, ARIZONA- Polling of consumers leaving a current blockbuster film reveal that the best part of the movies are, indeed, the concessions. “But we don’t just mean popcorn and jumbo sodas!” said customer relations director Jack Hughs. “It turns out that the concessions made by viewers are what allow them to enjoy almost any Continue reading
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The Girl in the Red Dress
I am a pianist, but I have long suffered from stage fright. My junior undergraduate piano recital was yesterday and, true to my philosophy that no art is complete without a proper understanding of other art forms, I used literature such as Coleridge’s The Rime of the Ancient Mariner to create program notes to give greater depth Continue reading
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