piano
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On Piano Lessons: Reasons to Start and to Stop
Today was my last day of teaching piano—at least for now. I’m continuing to teach organ on the side, but needed to refocus my priorities in anticipation of my book’s release, dissertation prep, and increasing ministry commitments. This season of teaching ended in the best possible way: one of my students performed his first recital Continue reading
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You Might be an Accompanist If…
1. You can recognize a Mark Hayes arrangement from the opening measure. 2. You carry throat coat tea and lozenges around for other people. 3. You are NEVER without a pencil. 4. The sight of already hole-punched music fills you with joy. 5. You accidentally watch people’s hands instead of making eye contact during conversation Continue reading
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The First Day of Christmas
Each week, I have anywhere between six and eleven rehearsals. Yesterday, however, was my favorite of the entire year: the first Christmas rehearsal. I realize it is only mid-October, but for musicians it might as well be the first day of Christmas. Spooky season and Christmas tend to blend together if you’re a musician…or Tim Continue reading
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Joseph – A Song and a Sermon
When we first began dating, my husband and I were employed by two very different churches. They proclaimed the same gospel, but the one where he worked was extremely contemporary while mine preserved the beautiful Lutheran liturgy. Although we attended each others’ services, it became our dream to collaborate, for him to preach while I Continue reading
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Accompanist: Part 1
When I began to work professionally as a musician, the term “accompanist” was beginning to be replaced by “collaborative pianist.” This was intended to acknowledge pianists as equals with directors and soloists. I appreciated this shift, but, at the same time, was never ashamed of being an accompanist. In fact, as soon as I began Continue reading
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“Jubilate”: A Joyful Noise for a Turbulent Time
Recently, I had the joy of reviewing an original folk album by pianist and composer, Mary Vanhoozer. My review can be read on the Transpositions site: “Jubilate” Review Continue reading
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Theology of Worship Panel – Part 1
On Wednesday, I had the opportunity to collaborate with some fantastic musician-theologians to present a panel on theology of worship/music. Follow the link below to watch/listen and, as always, feel free to share your thoughts! We will be continuing our discussion next week at the same link. https://youtu.be/PVd4U9EmdCg Continue reading
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Midweek Rhythm: “Nearer, My God, to Thee”
Throughout college, I rehearsed at my church on Wednesdays. After a full morning of classes, I would hide away in the sanctuary to practice. Often, these practice sessions became restful, transformative, and worshipful experiences. As I settle into a completely new season of my life, it is comforting to return to this midweek rhythm. It Continue reading
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Schumann’s Arabeske: A Musical Love Letter
It is my conviction that one must fall in love to play Schumann well. I did not at first enjoy practicing his Arabeske, Op. 18; while I understood the piece theoretically, I did not truly understand it emotionally or spiritually until I, like the composer, fell in love. Then, all at once, its nuances and Continue reading
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To an Old Piano on the Roadside
They were going to throw me away, Out with the rubbish bin. I, who you used to play, When you were small children. . Did it not mean much to you? The scales we learned together? Maybe if I were shiny, new, I’d be kept out of the weather. . But moving on is hard; Continue reading
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Three Principles
As I was practicing piano the other day, I wrote a series of three questions to ask myself as I worked on each detail: Is it clean? Is it beautiful? Does it mean something? First, I work technically, listening even to exercises to discern if they are played with clarity and precision. Are they clean? Continue reading
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The Girl in the Red Dress
I am a pianist, but I have long suffered from stage fright. My junior undergraduate piano recital was yesterday and, true to my philosophy that no art is complete without a proper understanding of other art forms, I used literature such as Coleridge’s The Rime of the Ancient Mariner to create program notes to give greater depth Continue reading
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Ryanne Molinari 