pianist
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Theology of Worship Panel – Part 1

On Wednesday, I had the opportunity to collaborate with some fantastic musician-theologians to present a panel on theology of worship/music. Follow the link below to watch/listen and, as always, feel free to share your thoughts! We will be continuing our discussion next week at the same link. https://youtu.be/PVd4U9EmdCg Continue reading
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Midweek Rhythm: “Nearer, My God, to Thee”

Throughout college, I rehearsed at my church on Wednesdays. After a full morning of classes, I would hide away in the sanctuary to practice. Often, these practice sessions became restful, transformative, and worshipful experiences. As I settle into a completely new season of my life, it is comforting to return to this midweek rhythm. It Continue reading
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Rejoice, the Lord is King: Feeling Follows Action

Today, I felt like the human equivalent of an eye roll. I’m usually a morning person who hops out of bed and goes on a refreshing run before savouring a second cup of coffee. Today, it took everything just to get up and get out the door. After several months of intense stress, my body Continue reading
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Extravagant: A Reflection on the Music of Dan Forrest

I adore playing the music of choral composer, Dan Forrest. An accomplished pianist himself, he knows how to fully engage accompanists, making them feel as if they are featured soloists and equal members of an ensemble rather than merely supporters. Even his simplest pieces cover the whole range of the keyboard and develop across glorious Continue reading
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Schumann’s Arabeske: A Musical Love Letter

It is my conviction that one must fall in love to play Schumann well. I did not at first enjoy practicing his Arabeske, Op. 18; while I understood the piece theoretically, I did not truly understand it emotionally or spiritually until I, like the composer, fell in love. Then, all at once, its nuances and Continue reading
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The Girl in the Red Dress
I am a pianist, but I have long suffered from stage fright. My junior undergraduate piano recital was yesterday and, true to my philosophy that no art is complete without a proper understanding of other art forms, I used literature such as Coleridge’s The Rime of the Ancient Mariner to create program notes to give greater depth Continue reading
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“So you want to be a piano-ist?” and Other Responses to my Major
“What’s your major?” seems to be the question of the month and I am seriously considering giving false answers if (scratch that, when) I am asked this again because it is getting a little old. As a music major with an emphasis in piano performance, though, I have heard some terribly amusing responses to my answer to this Continue reading
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